Steptoe, Javaka (2016) Radiant
Child: The Story of Young Artist
Jean-Michel Basquiat. New York: Little Brown.
Opening Lines: “Somewhere
in Brooklyn, between hearts that thump, double-dutch, and hopscotch and salty
mouths that slurp sweet ice, a little boy dreams of being a famous artist.”
Of course, it isn’t the text
that makes this picture book wonderful (though the text is both artfully and
poetically written), but it is the images.
Steptoe does a brilliant job using the same media that Basquiat used. Pages in this book appear to be paintings on
wooden walls that make use of charcoal, objects, and collage techniques. Somehow the images manage to welcome you into
another world while simultaneously reminding you that you are looking at an
illustration painted on old boards (or, on one specific page, a painting of a
painting of Basquiat and his mother looking at the painting Guernica in a
museum)..
And the bottom
line is, these images are beautiful to look at.
In both the street scenes and the scenes set inside the Basquiats’
apartment there is so much light and energy and life. One two-page spread shows Basquiat in his
early 20s walking the streets of New York with an art kit in one hand, burshes
in the other and canvases tucked under his arm.
There is activity in the background with people dancing on the side
walk, walking, and playing music. There
is a fancy yellow sports car by the curb, and muted blues and reds, and browns
and blacks – so much to look at. And yet
our eyes are drawn to Basquiat’s face with his wide-eyed grin and his eyebrows
raised as if he were drinking in all the action, noise, and beauty of the city.
This book would
be great for elementary school classroom libraries and any art classroom from
elementary through high school.
Bell, Cece (2015) I Yam a
Donkey. Boston: Clarion.
Opening lines: “I yam a
donkey!”
“What
did you say? ‘I yam a donkey’? The proper way to say that is ‘I am a donkey.”
“You
is a donkey too? You is a funny-looking
donkey.”
So begins the
silliness of this picture book by Cece Bell (author of the graphic novel El Deafo. ) In the book, a goofy and arguably not
terribly bright donkey continues this discussion of confusion with a
bespectacled yam who is trying very hard to teach the donkey proper
grammar.
Maybe that makes
it sound like this would be a greeat
book to teach young students proper grammar.
Um, I would love to be proven wrong, but I am not convinced that is a
good idea. The donkey persists in its
confusion and the yam continues his prescriptivist rant until the end when the donkey
pronounces “Oh! You is lunch” and
devours the yam and several of his vegetable friends. Clearly knowing good grammar did not help the
veggies evade their end, and incorrect grammar did not stop the donkey from
triumphing. So the message regarding
grammar is mixed at best.
But in terms of
silliness, this book is a winner. When I
was reading it silently to myself I could imagine the laughter and squeals of
pre-k through first graders as they read each new incorrect interpretation of
the donkey. Cece Bell is nothing if not
good at inducing giggles. This picture
book is a lot of fun.
Incidentally, the
entire book is told with word balloons making it useful perhaps for teaching
little kids how to read graphic novels.
There are no real panel divisions, though.
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