Three Elementary Level Chapter Books

Lin, Grace  (2008) The Year of the Rat.  New York: Little Brown

Opening Lines:  “Happy Year of the Rat!” Dad said as he toasted us with his glass.  The clinking noises filled the air as the adults knocked glasses of wine against the kids’ cups of juice.

            As in her previous novel in the series, The Year of the Dog,  Lin uses short episodic chapters to tell the story of Pacy. Pacy is afraid of losing her best friend (Melody may have to move away) and is excited to explore her dream of one day becoming an author and illustrator and at the same time plagued by doubts. Lin includes regular small sketches in the margins as we go, which may help young readers continue to picture the story throughout the chapter. 

            There are some minor themes in this story – how friendship can survive separation, the importance of family, and so on, but maybe not enough here to fully warrant an in-class study.  This would, however, make a great read-aloud for second and third grade.

Lin, Grace (2012)  Dumpling Days.  New York:  Little Brown.

Opening Lines:  “Pink, pink, pink,” I said over Ki-Ki to Mom.  Lissy, Ki-Ki, and I were sitting next to each other on an airplane, and we were wearing the same hot-ink overall dresses, the color of the neon donut sign in the food court back in the airport.  “Why did it have to be pink?”

            Pacy and her family are going to Taiwan for a month, to visit relative that Pacy has never met  Pacy is more than a little nervous about the food, the fact that she doesn’t speak the language, and is worried that her artistic talent may be disappearing. 

            Like the other books in this series, there is no climactic battle against hordes of aliens nor a family crisis that tears the main character’s world apart.  Rather, these are the sorts of everyday challenges and problems that many elementary school kids have to deal with (and a few they do not – like accidentally eating chicken feet).  And I think that is why so many second and third graders like Grace Lin’s books.  There is a calmness to them.

            As in previous books, the text is broken up with pictures and the story is broken up with the tales her father and other relatives tell.  This would also make a good read aloud book. 

Alexander, Lloyd (1970) The Marvelous Misadventures of Sebastian.  New York:  Puffin

Opening lines:  “From his perch on the window ledge of the musician’s quarters, high under the East Wing Roof, Sebastian’’s quick ears caught the drum of hoofbeats.”

            Sebastian, who lives in a vaguely medieval world of uncertain historical period, gets fired from the Baron’s orchestra and takes to the road where he loses his violin, meets a princess, and ends up as a clown in a theater troupe.  While I can’t say this book made me laugh out loud, it certainly had me grinning a lot of the time. Sebastian doesn’t take anything to seriously as he careens from one situation to the next. and along the way, his missteps just might save the kingdom.

            This book is not a classic.  It was published in 1970 and won a National Book Award, and my guess is that you haven’t heard of it.  But Lloyd Alexander is an excellent writer, and some young reaer might enjoy a simple and funny story without supercharged mutants battling cyborg aliens with the fate of the galaxy at stake.  For that reason, this one might be worth picking up.

            There is nothing objectionable in this book.  It would apply to some third, foruth, and fifth graders.

Five Realistic YA Novels With Female Protagonists:Ranging from Excellent to Downright Bad

A quick note: one of my students who follows this blog convinced her roommate tot alk to me about ways to improve this site.  I ave been too busy reading and reviewing to give it much thought.  This student, however has some really smart and basic suggestions.  So stay tuned for a much better look.

Five Realistic YA Novels With Female Protagonists:Ranging from Excellent to Downright Bad

Bauer, Joan (1999) Backwater. New York: Penguin.

Opening Lines:  “I knelt in the snow in front of my great-great-great-great-grandfather’s gravestone, took my bristle brush and cleaned the surface the surface, working the bristles deep into each engraved letter.

Smith, Amber (2016) The Way I Used to Be.  New York:  Simon and Shuster.

Opening Lines:  “I don’t know a lot of things.  I don’t know why I didn’t hear the door click shut.  Why I didn’t lock the damn door to begin with.  Or why I didn’t register that something was wrong—so mercilessly wrong – when I felt the mattress shift under his weight.”

Rock, Peter (2016) Klickitat. New York: Amulet.

Opening Lines:  “It all started when I noticed the way my sister was walking.  It was late in the afternoon and I was upstairs in my bedroom, watching her out the window.  I’d wedged myself between my bookcase and the wall so they both pressed against me, holding me tight.  Below, outside, at the edge of our backyard, I saw Audra.”

Beaufrand, M.J. (2016) Useless Bay.  New York:  Amulet.

Opening line:  “Our dog learned obedience from a murdered man.”

Sones, Sonya (2016) Saving Red.  New York:  Harper

Opening lines:  “Why am I out here in the middle of the fricking night wandering the streets of Santa Monica looking for homeless people when I could be lying in bed watching videos of babies eating lemons and soldiers reuniting with their dogs?  Because I need four more hours of community service this semester.  That’s why.  And I need them by tomorrow morning.”

           

What makes a realistic YA book good?  This is a hard question.  It is much easier to identify things that make a realistic YA fiction book bad.  Here we will take a look at both.

            Joan Bauer’s Backwater is a good book.  Ivy Breedlove is a teenager who, it is expected, will become a lawyer.  That’s what all Breedloves become – well except for her crazy Aunt Josephine, who lives on the side of a mountain, deep in the wilderness.  Ivy would rather be a historian, and because of the argumentative nature of the Breedloves, Ivy would love to be able to interview her.  But even if Ivy climbs the mountain, will her hermit of an aunt be willing to talk to her? Ivy hires a rather unconventional guide and sets out on a journey full of surprises. 

            What makes this book work is that it has at its core a good solid story.  One of the things a good solid story does is it lets the reader fall into it and get lost in it.  Bauer’s writing style first of all serves to carry the reader on that journey.  He prose is also beautiful in places, but it primarily serves the story.

There also has to be relatable truth.  In the case of this book, when readers get inside Ivy’s struggle to get her dad to see her as something other than a failed potential lawyer, many of those readers can either connect with that feeling personally or see how it played out in the life of a friend.

            This would be a great book for middle school language arts, though it could also be a good optional book for middle school history.  There is nothing in this book that parents are likely to object to.

            Amber Smith’s The Way I Used to Be is much more complicated. It is a much harder book to read, a much harder book to use in any capacity in a school, and at the same time, it is a book that has a much greater potential payoff, provided readers are willing to stick with it to the end. 

            Eden is a broken kid.  When she was in middle school, she was raped by her brother Caelen’s friend from high school  She knows she should tell someone, but doesn’t because she is in shock, then is ashamed that she didn’t tell someone right way (and afraid they won’t believe her) and so she keeps it to herself.  She is hurting, and starts a lunch hour book club to try to escape from the noise of the cafeteria.  The reader can see the way her pain is eating away at her.  The summer after Freshman year she gets contacts and starts smoking.  When school starts she ditches her friend Steven (who stood by her when no one else seemed to).  She drops band.  The story is told in first person, and even Ivy’s language changes, as she starts using the f word constantly.  And she starts having sex with a kid named Josh, yet making sure that she doesn’t get too emotionally close to him.

The next school year her relationship with Josh falls apart, Edy and her friend Mara spend more and more time and effort on finding ways to buy alcohol and cigarettes.  And Edy spends more and more time sleeping with guys she doesn’t know and eventually starts getting high too.             

            I have two daughters, and as I was reading, at this point, my papa-sense started going off like crazy and it became harder and harder to read about Ivy’s self-destructive path.  It was particularly hard to watch as Edy’s friends, boyfriends, parents, keep trying to build relationships with her and she keeps sabotaging them.  But throughout the book, there is a sense in which her experience rings true.  Edy’s self-destruction finally hits bottom well past three-quarters of the way through the book.  And although it was hard to read, it was also important, it seemed to me, to read about the deep swath of destruction that swirled out from the original violent act of rape. 

            In the end, Edy hits bottom and finally tells her story and there is community, redemption, and even some justice.  But it is such a hard road to get there.   This would be a good book for some high school seniors to read, but it is certainly not the right choice for everybody at that time.  

            I am still trying to figure out why I didn’t like Peter Rock’s Klickitat.  Rock has won an Alex Award for his adult novel My Abandonment which I haven’t read.  Perhaps that novel works better.  This one seems pretentious, deliberately obscure, and inconclusive. 

            Klickitat tells the story of Vivian, a young girls who has anxiety attacks that are revealed by pressure (though she does not seem to be autistic, which I usually associate with this condition.  Vivians’s parents seem to be disconnected from their children’s lives.  Vivian’ sister Audra has met a buy named Henry whom she intends to run away with to live a purer life in the woods (though at the moment, they are living together in the crawl space under a house.  Vivian maybe has a crush on Henry.  Vivian has a notebook in her bedroom who someone keeps writing nearly incomprehensible poetry in. 

            The book, at its best, can be ethereal.  At its worst though, it seems artsy, in the sense that it is trying very hard to seem like art.  It is like it is hinting at meaning that is not there.  The messages in the notebook are a good example of this.  They carry some sort of meaning, but nothing that really helps Vivian.  It is like reading lines of abstract poetry without any context.  As the book goes on, I became more and more convinced that everyone who writes notes in this book is allergic to making any kind of applicable point.

            The truth is, it reminds me of both the worst literary fiction of the 1990s and the kind of rocks songs that you thought were profound when you were in high school, but now listen to again and realize that, although they sound profound, they aren’t actually saying anything.  And actually, I find this terrifying.  One of the things I love about children’s books is that children tend to demand a coherent story that comes to some sort of a conclusion.  Children have little patience for pretention.  I am praying that this sort of book does not proliferate.  I suppose there may be something school students out there who might love this book, but I cannot recommend it. 

            Similarly M. J. Beaufrand’s Useless Bay (2016) seemed like an intriguing premise that didn’t deliver.  Set of Whidbey Island, off the coast of Washington State, this book tells the story of the Gray quintuplets and their dog who regularly serve as an informal search-and-rescue team.  When a boy is reported missing, the Gray’s search turns up a body, but not that of the missing boy.  Soon the quints are in the middle of a complicated mystery with multiple suspects and lots of danger.  Sounds good?

            There are some problems, though.  We don’t get to know the Quints well enough to really care for them.  There is also some mystical magical realism thrown in which doesn’t add to the mystery, but rather seems like it is out of place.  The magical realism is not internally consistent, nor does it make much sense.  I know that magical realism is magical, but it also has to fit into the story in a way that makes sense.  Magic has a kind of weird logic to it.  In this book, that logic was very hard to follow. The story moves well, I will give it that.  The ending is quite gripping.  But the ending is not particularly satisfying.

            This book, like all YA literature in the last five years, has it’s fair share of vulgar language.  There are a couple of cheap shots at different populations, including one at people of faith.  “Mom was firmly anti-religious because of all of the people of faith who gathered around her with casseroles when she was a new mother of quintuplets and promised to help…if only she would repent and admit she’d been a whore to get herself knocked up to begin with.” (52)  I have no doubt that there are people who would say such things in the world, and that this is the mother’s interpretation, but even so, it seems an unfair stereotype.    

Sonya Sones’s Saving Red, on the other hand, works.  While on a service project helping to count homeless people. Molly sees a girl who seems about her own age and later makes it her project to reunite that kid with her family by Christmas.  Aided by a boy she met at the amusement park who rapidly becomes both a friend and something more, Molly begins to find out more about the girl, whose name is Red.  She finds out that Red is not so easy to help, that Red might not want to be reunited with her family, and that Red has schizophrenia and hears voices that tell her what to do.

This is a book about a kid trying to learn about homelessness and trying to do the right thing, but realizing that homelessness, like most important issues, is far more complicated than she thought.  Red learns that people care about her.  This is not a perfect book.  Molly is partly able to help Red because she herself comes from an affluent family and his resources that not every kid would have.  But she learns.  She makes a difference for Red, but doesn’t solve her problem.  And the fact that Molly meets a nice boy who cares about her counterpoints the fact that Red, because of her homelessness and disability is unlikely to have such a relationship.  I suspect that, if this bok gets reviewed, critics will skewer it for oversimplifying the problem of homelessness.

But it is a good and entertaining story (told using poems, by the way, though five minutes into the book you will hardly notice that is the case) and the middle school and high school students who read it will enjoy it.  The story is coherent, the characters likable, and its portrayal of life is real, at least to some people’s experiences. This one is worth buying. 

Graphic Novels to Teach Math With!

Yang, Gene Luen; Holmes, Mike (2016) Secret Coders 2: Paths and Portals.  New York:  First Second.

Opening Panels:

            The Coders are back.  Hopper, Eni, and Josh now discover that Mr. Bee, the grumpy janitor from the first book, was once a teacher at the school, and he begins to teach them while at the same time, they begin to dig into some of the suspicious doings that the dean of the school (and his pet rugby team) seem involved in.  When the dean captures one of the janitor’s robots, and then the janitor himself, the secret coders need to decide if it is worth unleashing chaos to set the janitor free. 

            There is a lot of learning in this book, but Yang embeds the instruction into the stories so completely that many students won’t even notice they are learning coding, geometry, and even how to write letters in mandarin Chinese. Yang takes his time with both character development and plot development probably because he knows he will have many books in the series to develop these aspects more fully. 

            What makes this such a great book for a math classroom library is that the math stuff is solid, but deeply embedded in the experiences of the children.  This book goes a long way toward helping students see the answer to the perennial questions, “What are we going to use this stuff for?”

Holmes’s artistic style seems drawn from Saturday morning cartoons.  The characters are drawn in part like caricatures, but there is enough realism built in that a student can get lost in the world of the book.  If you teach math or coding, you need this book now. 

Yang, Gene Luen; Holmes, Mike (2017) Secret Coders 3: Secrets and Sequences.  New York: First Second.

            This is what happens when I do more writing than review writing.  I end up with more wonderful Secret Coders Books to review.  In this one, Principal Dean kidnaps Hoppers Mom and the kids follow, eventually ending up in the lair of Dr. One Zero, a former pupil of their janitor-mentor, Mr. Bee.  Dr. One Zero imprisons them and steals their flying turtle to use its laser to draw out Mr. Bee from hiding and at the same time destroy their school. Along the way, the Coders have to learn use their newfound skills at writing ifelse statements to trick a robotic cat into destroying their cell door and program a flock of robotic birds to intercept Dr. One Zero’s craft and foil his plans.  Unfortunately, after rescuing Hoppers Mom, they return to school to find that Dr. One Zero has become the new principal of their school. 

            Math.  Geometrey.  Coding.  Problem-solving.  Fun.  Buy this.

Shiga, Jason (2017) Demon 2.  New York: First Second.

            What does a story about a guy who, when he dies, possesses the body of the nearest person to him, have to do with teaching math?   When the main character, Jimmy Yee has a mission, to get revenge on the drunk driver that killed his family, and when he uses math to do it.  Jimmy is a former actuary who can cube two digit numbers in his head, and so evading the mysterious government agency that is after him, escaping capture, and getting to his goal is mostly a matter of logic and math.  Although the story is certainly grisly, it may be amazing way to teach the value of logic in problem-solving, if you can get past the carnage. 

            So here are the rules, which Jimmy Yee figures out as he goes (and so does the reader).  1.  Jimmy possesses the body of whomever is nearest to him when he dies.  2. The possessions do not ross species, so he cannot possess the bodies of animals. 3.  The possessions occurs somewhere between a speed of mach 10 and instantaneously.  4.  He does not gain or loses his own mental skills when he transfers.  He gains some physical skill if he possesses a bodybuilder, but not all.  5.  He possesses the body of whatever person’s head is closest to his own. 

            But when Jimmy breaks into prison to complete his mission, he finds out his daughter is still alive and has the same abilities that he does, and that both of them are surrounded by hundreds of agents.  Can Jimmy figure out a way to escape the trap?

            Jason Shinga draws the characters in this graphic novel with big, often round heads that are reminiscent of Charles Schultz’s peanuts characters.  This stylized drawing approach minimizes the reality of the story that Jimmy is racking up a pretty massive body count.  Shinga also uses the convention of drawing Jimmy’s face on whatever person he has possessed so that it is easy to keep track of when Jimmy makes the jump.

            In an age of violence, school shootings, and indifference to death and suffering, this book seems to be more a part of the problem than the solution.  The fact that Jimmy is being hunted by people who want to use his abilities for nefarious ends, and the fact that those people try to use his daughter to blackmail him, and the way that he uses logic to get out of trap after trap, makes this book one that may win you over.

            Given the violence and several occasional vulgarities, this book would be best for high school and the teacher should preview it before putting it in her or his classroom.

            

New Trade Books for Kids Who Love History (and the teachers that teach them)

Fleming, Candace (2014) The Family Romanov:  Murder, Rebellion, and the Fall of Imperial Russia  New York:  Schwartz and Wade.

Opening line:  “On the night or February 12, 1903, a long line of carriages make its way through the Imperial Gates of St. Petersburg’s Winter palace.”. 

            There are moments in history when everything turns upside down.  When Tsar Nicholas and his wife, Empress Alexandra began their rule of Russia, they were following a long line of predecessors into what seemed a predictable reign.  Alexandra bore three daughters and, after much waiting, a son, Alexei, who would turn out to suffer greatly from hemophilia.  Then follows wartime troubles and Alexei suffers from more bouts of hemophilia-induced internal bleeding and the pain that accompanies it.  The Tsar and Tsarina eventually put their trust in a peasant mystic named Rasputin.  Rasputin, many allege, not only brings about the downfall of the Tsar, but would be indirectly responsible for Nicholas’s abdication of the throne, and eventually the death of his whole family. 

            Fleming carefully unwinds the narrative, paying attention not only to the Royal family, but to the peasants as well.   She paints Nicholas and Alexandra as partly naïve, party disinterested monarchs who more than anything want to escape the burdens of leadership and raise their family without interruption.  This is a tragic moment in history and it is fascinating to see it unfold.

            Strong fourth and fifth grade readers could make sense of most of this, but it is probably ideal for middle school and high school readers.  The book does cover the murder of the royal family in a matter of fact way and makes vague references to Rasputin’s  womanizing, but there is little here that could offend or trouble parents. 

Haskins, James (1977) Barbara Jordan.  New York: Dial Press.

Opening Quote:  “If there are any patriots left, I am one.”  --Barbara Jordan.

            One thing history can do is remind us that things were not always the way they are now.  Somehow in the last forty years, the word politician became a bad word.  When Barbara Jordan became one of the first black women elected to US Congress,that was not so much the case.  Jordan was skilled at the art of compromise, of crossing the isle and finding the common ground of justice and helping the American people that let the legislature get things done.  She was organized and passionate, feisty and a good friend, principled and a good bridge-builder.  This book chronicles her hard work in law school, her hard work running for office, and her phenomenally hard work once she was in office.  This biography is not only an interesting portrayal of Barbara Jordan, but also a fascinating portrait of a time in our country's istory when compromise across the aisle was the ay we got things done.  

And she did all this as a black woman running for office in Texas.  Texas at the time seemed to have a very different sort of identity than it does now.  Although the biography probably skews in the direction of being overly positive toward her life, it does not omit the criticism of her being an Uncle Tom, or forgetting her people.  It acknowledges those criticisms and offers her response, then lets the readers decide.

I stumbled upon this book because it was a Coretta Scott King Award winner.  Although I believe it is out of print, websites like ABE.com can be relied on to have a used copy usually for under six dollars.

Moss, Marissa (2017) Kate Warne: Pinkerton Detective.  Creston Books.

Opening Lines:  “Kate read the newspaper advertisement for the third time:  Wanted: Detective.  Must be observant, determined, fearless, and willing to travel.  Pinkerton Agency 353 Michigan Ave.  Chicago.  She had no experience at all, but the job called to her.”

Okay, yes, this is a picture book, but it is a wonderful one.  Moss tells the story of Kate Warne, the first woman detective in America.  Moss describes how Warne convinced Allan Pinkerton to hire her, even though he had never hired a female agent before.  She describes Warne’s first case, a theft of $40,000 from a locked pouch in a safe.  Warne took on a disguise, befriended the suspect’s wife and found out where the money was hidden.  An extensive author’s note at the end of the book fills in some details including how Warne served in the Secret Service, how she died, and where she is buried.

April Chu’s illustrations do a lot to bring the reader into the dusty sepia-toned world of Chicago in 1856.  Moss’s writing engaged the reader in the story, but also makes sure they will be interested in the history of it as well.  And extensive author’s note at the end will fill in some of the gaps for the interested reader.

I was going to say that this would be a great picture book for kids interested in history or detectives or law enforcement.  But as I think about it, this is the sort of book that might take a kid who doesn’t yet realize they are interested in these areas and start an interest that could make a huge difference.  I suppose the book is probably targeted at first through third grade – but I would use it up through middle school and high school as a way of getting students interested in a topic.  Check this one out. 

Good Graphic Novels for Humans and Trolls of all Sorts of Ages

Orchard, Eric (2016)  Bera the One-Headed Troll  New York:  First Second.

Opening Panels:

            I teach in a college where our mascot is the Troll.  We are the only college with such a mascot in North America.  So I am a little defensive when it comes to trolls who generally get a bad rap.  Not so in this graphic novel. Bera is a kind and compassionate troll and when a baby appears in a tiny boat on the edge of her island, she saves it from the sirens.  Before long she sets out on a journey to return the baby to its people, and she must elude a witch, a giant, and many other obstacles to keep the baby safe.

            Not only is this a fun book for third grade and up, it also teaches kids to be careful who they trust  At several points, Bera things she has found someone who will care for the baby as she does.  In several of those cases, she is wrong. 

            But Bera is a good troll.  A fine example of what a troll should be.  Trinity alumni in particular may want to pick this one up. 

Weing, Drew (2016) The Creepy Case Files of Margo Maloo.  New York: First Second.

Opening Lines: 

Charles is a small bookish kid who is always writing things in his notebook.  He wants to be a reporter someday, and so when his family moves to the big city, Charles begins writing a blog.  He views the city as a dangerous place, with high crime rates and danger of being mugged lurking around every corner.  When he discovers that he actually has a monster in his closet, he is even more scared.  Eventually a kid he meets gives him a card that says Margo Maloo, Monster Mediator.  He calls the number and Margo arrives through hi bedroom window, finds an old access panel in the back of his closet, and leads him down a shaft where she finds the Troll that has been living in Charles’s basement.  The troll (whose name is Marcus) was trying to scare away Charles’s family because he was afraid they would mess with his stuffed animal collection.  Soon Charles and the troll are getting along pretty well. 

            As the story goes on, Charles starts going along on Margo’s missions, sort of as her sidekick.  It becomes apparent that she really is a mediator, solving conflicts by getting the two sides to talk together and works something out.  There are still plenty of challenges and dangerous situations though, and Charles begins to learn that the city is not a place he should be scared of, but is in fact fascination, both in terms of the human community and the monster community.

            Bottom line, this book is a lot of fun.  Ideal for third grade and up. I suppose some parents might object to a book with monsters in it, but if they read the book, I think they would change their minds.  

Knisley, Lucy (2016) Something New:  Tales from a Makeshift Bride.  New York:  First Second.

Opening lines: "Of all the unfamiliar roles in which I have found myself as an adult, this has been one of the strangest.  Despite hundreds of years of traditions and expectations, familiar rituals and ancient promises...  A year ago I couldn't have even imagined myself as a bride."

 Lucy Knisley writes really interesting memoirs in graphic novel form.  Her previous graphic novel, Relish, looked at her life in terms of food.  This book looks at how difficult it is to fight societal expectations and family expectations and make your wedding your own. She manages though, and gets her wedding dress with pockets, her (relatively simple) wedding, and all without permanently alienating her mom, fiance, friends, or anyone else. Along the way we find out the story of her relationship with John, her struggles with dating, and plenty of self-deprecating stories that make us smile.

There are interesting themes here including the importance of thinking critically about sociatal traditions before buying into them, how marriage is based on more than perfect appearance, and how humor can diffuse tension among others. 

This book would be good for high school and up, though teachers should be aware that Knisley references some same-sex dating that she did along the way and occasionally mentioned her support of same-sex marriage. This is not a major part of the book and would likely not even raise an eyebrow of the average high school student, but parents may be cautious or offended.  

Hale, Shannon; Pham, LeUyen (2017)  Real Friends: A True Story about Cool Kids and Crybabies New York:  First Second.

Opening Line:  “When I was little, I didn’t worry about friends.”

When Shannon goes to kindergarten she meets Adrienne and they become best friends.  But when Adrienne moves away, Shannon is alone.  She meets Tammy, but it isn’t the same.  Adrienne moves back, but befriends Jan, who is cool.  And at that point, Shannon starts down the difficult road of trying to find and maintain friends in the difficult world of elementary school. 

            This is a remarkably honest book and the reader shares in Shannon’s triumphs and sorrows.  Pham’s illustrations use amazingly evocative facial expression to let the reader get inside the heads of Shannon and her friends (and enemies).  We also get to see what Shannon dreams of, including the stories of castles and knights she envisions writing some day, the scenarios he is pretending in her mind when she plays with her friends, and the image of Jesus comforting her when no one else will.    

            This would be an excellent book for third graders and up, particularly in teaching social skills and providing comfort for kids who are stuck on the outside of friends groups they wish they were in.  It is certainly directed at a female audience.  There is nothing here that could cause any objection that I can see.  I am guessing every teacher can think of at least one kid who needs this book.